Saturday, March 29, 2014

Dune doodles

For the couple of people who asked, here's some process work for those Dune characters. I doodled these while I listened to the audio book.






Friday, February 28, 2014

Dune

I finally gave in to the siren song of Dune and was dashed upon the rocks like so many concept artists before me. There just isn't time to render these, but I’m reasonably pleased with the linework, so here they are!

Some context: I fell into a Dune-hole recently which started by stumbling across the INCREDIBLE art from what would have been Jodorowsky’s Dune film. That inspired me to re-watch the David Lynch movie again (one of my favorites). At that point, I had to read the book again. In the middle of my read-through, I watched a couple Tarsem Singh movies and my brain made a connection that I couldn’t shake loose:

I want a 4 hour Dune movie designed by Tarsem Singh’s crew (production designer, art director, costume designer, cinematographer, etc…)


So, in order to get that thought out of my brain, I took a clumsy swing at designing the cast of Dune through the lens of Tarsem Singh’s crew. To me, that meant making each character an operatic or theatrical expression of their role in the story. Visual storytelling cranked to eleven. 


Caladan

I thought the Atreides  on Caladan should look “water rich”. I wanted to design a visual language that looked like it was born out of generations of ruling a tropical paradise.

Dr. Yueh – The diamond mark of his conditioning becomes a mask, but it’s not %100 effective so it doesn’t cover one eye.

Thufir Hawat – The Juice of Sapho is held in a small vial near his mouth, always near him. He may once have fit his ceremonial armor better, but he’s no less dangerous.

Gurney Halleck – Patrick Stewart was perfect in this role, but in the book he’s described as being a pretty ugly guy. He has blades all over him, and his clothing is tied down tightly for sparring.

Paul – He wears the Atreides Hawke at his breast, with one “red wing” cape over his shoulder. He is dressed for life on his water-rich homeland.

Reverend Mother Helen Gaius Mohiam – She carries branching staff to represent diverging bloodlines.  Her collar echoes the Emperor’s own crest. I wanted to design a motif for the Bene Gesserit with several meanings. Her hair is tonsured like a monk’s, but they wear a braided mohawk like a horses mane to make reference to their ongoing breeding program. They also wear fine chains connected to piercings from their eyes, ears and mouths. This is a visual representation of their constant focus on observation, listening and influence through speech.

Duke Leto – He is described as having a face like a bird of prey, so I exaggerated that. He wears the Atreides Hawke on his chest, with two red wing capes behind him.

The Lady Jessica – She has the Bene Gesserit hair (tonsured with a horses mane mowhawk) and piercings (connecting eyes, hears and mouth). She has a modified version of the Atreides Hawk crest, forming a more elegant cape. 


Antagonists

Feyd-Rautha – His build reflects his regular gladiatorial training. I wanted the Harkonnen’s to look like they hung around in their robes all day. I also gave them a consistent jewelry motif that was part viper-pit, part “plans within plans within plans” like a diagram of nefarious connections.

The Beast Rabban – He’s an animal, even less restrained than the Baron. You can see that it’s only a matter of time before he competes with the Baron for sheer scale. He’s adorned himself with cruel trinkets, and what may have once been luxurious furs have become rank tatters through neglect and abuse.

The Baron Vladimir Harkonnen - …yup.

Piter De Vris – Like Thufir Hawat, Piter keeps his Juice of Sahpo within regular sipping distance. His “rig” is built up into a flimsy collar, meant to look arrogant and hint at his aspirations to rule.

Padishah Emperor Shaddam IV – His royal armor is designed to reflect his paranoia (the same paranoia that inspired him to us the Harkonnens to crush the Atreides). Physical descriptions compare him to Duke Leto, so I wanted him to look like a lesser version of the Duke. His armor plates are all given to him by the various guilds and houses he rules.

Sardaukar – The Emperor’s elite soldiers. Their crests reflect the emperors, but are all built from reclaimed prison bars from their hellish prison-homeworld, Salusa Secondis. I wanted them to look completely opposite to the Fremen. They’re big, bulky, heavily armored. The glimpse of armor you can see was designed to look like it would react TERRIBLY to sand. 


Arrakis

To design the Fremen is to design the Stillsuit. To me, they were done perfectly in the David Lynch film, so I wanted to try to make a different statement.  Fremen don’t care that they smell awful, they accept the realities of their lives, so I wanted to design a suit that didn't shy away from its vulgar processes. It’s designed to process piss, shit and sweat into drinkable water. Seeing a person in their stillsuit should almost feel like seeing them naked.

Stilgar – Sturdy, reliable, and pretty much a surrogate father to Paul.

Muad’Dib – I kept it simple. His outfit is just a stillsuit and the red wing cape of the Atreides.

Chani – Just draping the stillsuit with something asymmetrical and soft.

Alia – She wears little red Atreides wings and a Gom Jabbar.

Great Mother Jessica – Her Bene Gesserit mane is exaggerated in a fabric crest. She holds the water of life in a bottle that isn't meant to be put down. 


Tuesday, February 4, 2014

Kvothe in Tarbean



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I've been wanting to draw something from Patrick Rothfuss' The Name of the Wind books for a while now. Here's the protagonist, Kvothe in the city of Tarbean. 

Process wise, this was a self-inflicted exercise in patience. This image has been sitting in my head for months, but I've avoided it, knowing how much work would be required to do the city justice. I'm still on the fence as to whether or not this level of complexity helped or hindered. Something more abstracted/vague may have given me a better result, sooner. 

Wednesday, January 29, 2014

Gray Mouser at the Bazaar of the Bizarre


One of my favourite scenes from Fritz Leiber's Swords and Deviltry. I wanted to take my time with an image, and the intriguing, claustrophobic bazaar seemed like the ideal challenge.

This time around, I made sure to save some process images.
I started with simple two inch thumbnails until I found a composition I liked. Then I pencilled up the image at 11x17. Once the pencils were scanned, I did a "lighting sketch" to figure out some of the volumes and light sources. From there I did a clean line drawing (my favourite stage). Finally, I just spent some time moving around the image, cleaning up the values and adding little details.


Monday, January 20, 2014

Random reference

This daily upload of poor quality photos from my sketchbook is not to last. I'm coming to the end of my brief paternity leave (now a proud father of daughter number two). It's been a rare treat to find this much personal drawing time, and here I've been using it to study instead of have fun (it's still fun). Thanks for lookin' and stuff. This is just a random smattering of whatever reference material I had handy.




Sunday, January 19, 2014

Battling "same face"

I've been painfully aware of my worsening case. "Same face" is when an artist gets lazy (or busy!) and starts using the same old features again and again and again. The only cure: research. 


Friday, January 17, 2014

Fenris take 2


Some time ago I decided to stop redesigning other peoples stuff (like my reboot cast for example). It’s so much fun, but so is shooting fish in a barrel (for people I probably don’t want in my life).
It’s easy to design a character after you’ve seen their whole story arc play out, witnessed the nuances of writing, acting, animation, even their contribution to the overall atmosphere of the final product. For us, character design is done in the dark. We have descriptions, plans, and vague gestures, all of which will change, many of which will change BECAUSE of what we design.
So, to me it doesn’t feel like a “sporting chance” to redesign someone else’s finished character. They couldn’t see what you see now. They didn’t know that twist was planned, or that they’d get an extra season, or that marketing would favor an unexpected character.
But just for fun I’ll take a swing at our own stuff.
Given a chance to take another pass at Fenris, I would suggest something like this. Chunkier, bald, more of a warrior, with more Tevinter motifs (which we hadn’t yet established during DA2).

Tuesday, January 7, 2014

DA:I - Overgrowth

Two more images I've worked on have been released. Seems to make sense to put these two together.




Friday, December 13, 2013

I ride daddy's shoulders

Drawing monsters and villains all day can take its toll. I wanted to draw something good, and this is my favorite part of the day.

Wednesday, December 11, 2013

Sprint

We've been doing a lot of storyboarding. I'm enjoying drawing fast and loose. 


Drawn to this music (warning, dubstep):

Friday, November 1, 2013

Comic experiment

Years ago the Anthology Project reawakened my love of comics. This was an experiment I tried a few months ago that I had to abandon. Rather than let it gather dust on the shelf, I figured I'd put the pencils out there. I purposefully left the dialogue out (I still like the drawings, but rereading the writing was like nails on a chalk board). Hopefully the visual storytelling carries most of the load. So here's....a thing!